: Adobe Lightroom CC. Adobe lightroom and photoshop cc for photographers classroom in a book pdf free download

February 24, 2023

: Adobe Lightroom CC. Adobe lightroom and photoshop cc for photographers classroom in a book pdf free download

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Adobe lightroom and photoshop cc for photographers classroom in a book pdf free download

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Adobe Photoshop CC and Lightroom CC for Photographers Classroom in a Book, 2nd Edition - Adobe lightroom and photoshop cc for photographers classroom in a book pdf free download

Lightroom adds the photos to your catalog with the settings you specified and closes the Import window. Once finished, Lightroom activates the Preview Import collection in the Catalog panel at the upper left, and you see image previews in the middle of the work- space, as well as in the Filmstrip panel at the bottom.

The next time you import your own photos, choose New from the Metadata menu in the Import window. In the Copyright Status menu, choose Copyrighted. Scroll to the IPTC Creator section, enter any identifying information you wish to include, and then click Create to save it as a preset. To apply this copyright preset to photos as you import them, simply choose it from the Metadata menu. From the resulting ment workflow: The big menu, choose Synchronize Folder.

Click Synchronize, and Lightroom adds them. Its various panels and tools help you make short work of managing, assessing, and organizing your photos. In lapse or expand any panel by clicking its the Library module, you get source panels on the left and information panels name. To expand or on the right. Source panels Preview area Info panels By default, the Library module opens in Grid view, which is indicated by the icon circled in the toolbar below the preview area.

This panel lets you control zoom level and which area of the photo is displayed in the preview area. With the levels and lets you cycle Navigator set to Fit, you see a white border around the image in the Naviga- between them using tor panel.

Once you zoom in say, using Fill or , the rectangle reduces in the Spacebar on your keyboard. To see another area of the photo, click within the rectangle your cur- between Fit and , sor turns into a crosshair , and then drag it to another. Now tap the Spacebar to switch between those two choices. This panel gives you quick access to certain images in your catalog. This panel displays your hard drive s and folder system. The Folders panel creating collections. If you do, Lightroom will report the photos as Folders panel because missing.

If you need to rename, change your folder structure, or move pictures the changes you make around, use this panel to do it. That way, Lightroom can update the catalog to physically affect the reflect your changes. Rename from the menu that appears. In the resulting dialog, enter a new name, and click Save. As mentioned earlier, think of Lightroom collections as albums. You can use it to export collections albums to photos to a hard drive or to upload them online to sites such as Facebook, organize them instead.

Flickr, and so on. A histogram is a collection of bar graphs representing the dark and been separated into same-color stacks. The light tones contained in each color channel of each pixel in your photo. Dark taller the stack, the values are shown on the left side of the histogram, and bright tones are shown more tiles you have of on the right side.

The width of the histogram represents the full tonal range of that particular color. The taller the bar graph, the more pixels you have at that particular brightness level in that color channel. The shorter the graph, the fewer pixels you have at that particular brightness level in that color channel. This is a quick alternative to rent exposure value of that photo.

This means each photo could end up with a going into the Develop different exposure value. These two panels are related to keywords, which are descriptive tags you can apply to images in order to find them easier later on. Click the triangle again to reveal the panels. Once you click to hide a column of panels, they reopen whenever you move your cursor near them, and then they close when you mouse away from them. That way, the panels stay closed until you click within the outside border again.

To reveal them, press Tab again. Press L a second time and everything in your previews turns black, as shown here. Press L again to return to normal view. To exit it, press F again. This is the most often used keyboard shortcut in all of Lightroom! In this mode, only one panel is expanded at a time; the rest of them remain collapsed.

When you click another panel, the one that was open collapses and the new one expands. This keeps you from having to scroll through a slew of open panels to find the one you want to use. Once you activate Solo mode, the solid gray panel triangles are filled with dots, as shown here on the right. E Tip: To change the You can customize how your image previews are displayed too. Straight from size of the thumbnail the factory, the Library module uses Grid view, wherein resizable thumbnails are previews, use the displayed in a grid.

If you peek at the Library module toolbar beneath the preview Thumbnail slider beneath the previews. This option enlarges the selected thumbnail so that it fits within the keyboard to decrease preview area, however large the preview area currently is. For a side-by-side comparison of one image with another— say, to determine which one is the most sharp—use this option. Press the Spacebar to enter Loupe mode, click within the image on the left called the select photo , and then drag to pan around and examine details your cursor turns into a hand.

As you reposition one photo, the other one the candidate matches its position. To exit Compare candidate to select by view, click its icon again or press G to return to Grid view. The candidate is marked by a black diamond. Lightroom grabs the next image in the Filmstrip panel and displays it on the right as the candidate so that you can repeat the process. This is a great way to find the best photo of a bunch, especially if you shoot in burst mode.

This option lets you compare multiple images side by side. To use it, select three or more thumbnails, and then either click the Survey icon it has three tiny rectangles inside it with three dots or press N on your keyboard. You can also drag to rearrange photos in the preview area while sur- veying them. When you find the photo you like the best, point your cursor at it, and mark it as a pick by clicking the tiny flag icon that appears at its lower left.

To exit Survey view, click its icon again or press G to return to Grid view. The next section teaches you a simple strategy for assessing and culling photos. In the resulting dialog, pick a naming scheme; Custom Name — Sequence is a good one because it gives you the opportunity to enter something descriptive into the Custom Text field say, Smith wedding In this case, enter Maui trip The only way to under- stand this admittedly confusing concept is to try it yourself using these steps: 1 In Grid view of the Library module, click anywhere on the first thumbnail preview to select it.

Alter- natively, you can Shift-click the third thumbnail to also select the one in between. In this case, clicking directly atop the image in the second preview switched the most selected status from the first to the second thumbnail shown here in the middle.

The takeaway here is that routinely clicking the frame rather than the image in a thumbnail will allow you to avoid being surprised by the less common behavior you saw in step 2. At the bottom of the dialog, Lightroom shows you what your naming scheme looks like. If you peek at the top left of the interface, you see a status bar. The next section teaches you about another great habit to create after importing images: assessing and culling them. Organizing your photos Lightroom gives you many ways to mark your photos, which makes them easier to organize.

For example, you can rate them with one to five stars, give them color labels, or give them two kinds of flags Pick and Reject. Lightroom also lets you filter your photos for each marker or a combination of them , making certain photos easy to round up.

Applying markers You can apply markers in several ways. To apply the marker, click a thumbnail. Press P to flag an image as a pick one that you want to keep , press X to flag it as a reject, and press U to unflag an image. Press 1—5 on your keyboard to rate an image as 1—5 stars. Press 0 to remove the star rating. Press 6—9 on your keyboard to label an image as red, yellow, green, or blue respectively.

You then likely left the mediocre ones in the envelope you got from the photo lab, and you probably forgot about them. Only the best shots made their way out of the envelope and into a physical album. The 1 In the Catalog panel at the upper left, make sure Previous Import is selected. Double-click the first image to enter Loupe view, and then click Fit in the Navigator panel.

Press your Right Arrow key, and mark the next yellow flower shot as a pick. Keep going through the exercise files, marking your favor- ites as picks and any that you think are bad as rejects mark only three to five of the exercise files as rejects.

When you reach the end of the files, your Right Arrow key stops working. When assessing your own images, reject only the ones that are really bad: out of focus, poorly exposed, or awful composition. Lightroom displays one of your rejects in the preview area, and a dialog appears. Clicking Delete from Disk takes them out of your catalog and off your hard drive. The choice is up to you. For the purposes of this lesson, click Remove. When you do, Lightroom shows only those photos you flagged as picks.

In the dialog that appears, enter a designate it as a target meaningful name into the Name field say, Maui keepers or whatever , turn on collection.

Now you can add photos to it by pressing B on your keyboard or by pointing your cursor at a thumb- nail and clicking the tiny circle that appears at its upper right.

This also makes it easy to trigger a slideshow from them, as described in Lesson 9. In Loupe be , press U on your keyboard to unflag them all. Use the Right Arrow key to move through the the photos are selected. You may need to click the white flag twice for it to actually filter the photo. Call it a feature or a bug—the choice is up to you! In the resulting dialog, enter the name Maui selects or something similar.

Click Create. This gives you two collections: one for keepers and another for the best ones of the bunch. P Note: Collection 13 To further organize the two collections from your Maui shoot, you can put them sets are a great way both inside a folder. Lightroom calls this a collection set, into which you can to keep your Collec- store collections as well as saved projects say, a book project, saved slideshow, tions panel organized.

In the pher, you may create a dialog that opens, enter the name Maui and click Create. To remove photos from a collection, select them and then press Delete on your P Note: The same keyboard. Doing so removes the photo from the collection, but it still resides in photo can live in mul- tiple collections. When your Lightroom catalog and on your hard drive. To move a photo from one collec- you add a photo to a tion to another, drag the thumbnail into the collection you want it to appear in.

Adding keywords Adding keywords is an extremely powerful way to keep track of photos by subject matter in your Lightroom catalog. Think of them as search terms, like the ones you use to find something on the web.

In the dialog that appears, enter flora in the Keyword Name field, and then enter flowers and plants in the Synonym field. Click Create, and Lightroom adds the keyword to the panel and applies it to the selected photos. To see nested keywords, click the triangle to the left of a keyword in the Keyword List panel to expand your keyword hierarchies.

You can also type a keyword into the search field at the top of the Keyword List panel to reveal it in the Keyword List panel. When you click the arrow to the right of a keyword circled , Light- room automatically switches your source to All Photographs in the catalog also circled.

Once you apply a key- word to a photo, a tiny tag icon appears on its lower-right corner. Other ways to apply and delete keywords As you may imagine, there are additional ways to apply keywords. To remove a keyword from a photo, do the same thing but turn off the checkbox that appears to its left. If you go this route, you can create and apply keywords in the same step. If you want to create and apply more than one keyword to the selected photos, use a comma. To delete a keyword from your list, use the Keyword List panel not the Keyword- ing panel.

To do it, click the keyword and then click the minus sign - at the upper left of the panel. In the warning dialog that appears, click Delete. In the warning dialog, click Delete. In fact, the afore- mentioned menu offers several useful options for managing your keywords. For example, you can edit them, remove a keyword from the selected photo, or delete the keyword altogether.

Either way, the keyword is removed from your keyword list and from any photos you applied it to. Finding photos You learned how to search by keyword in the previous section, but there are several ways to find certain photos in Lightroom.

With All Photographs selected in the catalog panel, Lightroom searches your entire catalog to meet criteria that you set. You can choose to search text, attribute markers , metadata, and more. To see only those photos, click one of the keywords. The next column shows the camera s you use; to see only the photos taken with a certain camera body, click it in the list. Same thing with lenses.

You can also control which columns appear in the Library Filter. From the resulting menu, choose Column. When you do, a column labeled None appears. Click the word None, and then from the menu that appears, choose the information you want displayed in that column. In this image, Lightroom is filtering for all images taken with a specific camera and lens, regardless of keywords. And of course there are other ways to find photos. First, clear your current filter so E Tip: You can also you can see all your photos again.

In the second menu, choose your criterion say, Contains All. In the field on the right, enter the text you want to find. Click Attribute in the Library Filter, and then click the marker you want to find: flags, ratings, color labels, or kind photo or video. You can turn on more than one filter in the Library Filter by clicking more than one of the buttons say, Text and Attribute. Doing so reveals a second row of criteria.

For example, you could use this trick to search for all the images with a certain keyword that are also flagged as a pick as shown here or that have a certain star rating. Using smart collections E Tip: You can use Smart collections are collections that automatically populate themselves with smart collections to photos that meet certain criteria that you set. For example, if you use a star rating system to rate your best work, you can easily create a smart collection that perpetually gathers those images.

Click the second menu, and choose Is. Click the fifth star so that five stars are bold. This is handy when you 8 In the Collections panel, select the smart collection you made Best Photos , want to restrict a smart and notice that the photo you added a 5-star rating to is now included in the collection in some way by date, camera, collection. E Tip: Open a few of the prebuilt smart collections that come with Lightroom to see how they are built and to get ideas for your own smart collections.

Click Cancel to close the Edit Smart Collection dialog. What are those shortcuts? Lightroom scours the folder and adds any new photos it finds to your catalog. Press E on the keyboard to switch to Loupe view the larger view of a photograph.

The guitarist pictured here is George Kahumoku, Jr. You can find his music at Kahumoku. George Kahumoku, Jr. A toolbar and helpful in the Develop module, because hav- the Filmstrip appear at the bottom; click any photo in the Filmstrip to see it in the ing one panel open at preview area in the middle. Solo mode by right- clicking the Histogram The toolbar near the bottom lets you see before and after views and zoom. The panel. Filmstrip at the bottom lets you select the image s you want to work on.

To see a before and after version of the image while T on your keyboard. The menu at the right of the toolbar lets you control toolbar content. If you turn on the Slideshow option, a Play button appears that you can use to trigger a full- screen slideshow of the images in your Filmstrip. Photo credit: Lesa Snider, photolesa. Due to its database nature, Lightroom keeps a run- ning list of your edits in the History panel, where you can click to undo and redo consecutive edits anytime you want.

Lightroom named this feature Snapshots. They each lesson file. The Presets panel lets you save frequently used settings, which you can think of as adjustment recipes that can be applied with a single click.

The built-in presets are handy for creating black-and-whites and color tints, adding sharpening, and so on, though you can also create them yourself.

Click any state to go cursor at states in the History panel to see backward or forward in the editing history of your photo. If you use the Redo command, the state reappears in the History panel. A brown tint is applied to the photo. The Grain—Heavy and Sepia Tone presets are cumulative, so you see both effects on the photo. This captures a snapshot of the current state of the photo.

E Tip: If you no longer The new snapshot appears in the Snapshots panel. Now you can easily switch need a snapshot, select between the grainy sepia and the black-and-white versions by clicking them in it in the Snapshots the Snapshots panel, even after you close and reopen Lightroom.

To retain all the editing history thus far, click the a running list of every- topmost history state before continuing to adjust the photo. This returns close and relaunch the the photo to its original, unedited state.

P Note: Lightroom sports another feature you can use to process a photo in multiple ways: virtual copies. The following steps walk you through adjusting a raw file, though you can use these steps on JPEGs or TIFFs too: 1 With the first lesson file selected, return the photo to its original, color-cast- P Note: You can use riddled state by clicking Reset at lower right or by clicking 0 in the Snapshots this workflow on each of the exercise files in panel.

Click the menu to the right of the word Profile, and take a spin through the profile presets to see which one looks the best Camera Neutral was used here. Behind the scenes, it renders the raw data into pixels you can view and work with onscreen a process known as demosaicing.

These camera-specific profiles produce a subtle shift in color and contrast—Camera Landscape has a satura- tion boost, while Camera Portrait is cautious with skin tones.

These profiles are worth marching through on a few of your own photos to see which one works best for your particular camera and the type of photos you take. Chromatic Aberration is a lens-related anomaly that can cause unwanted color to appear along super high-contrast edges where the black numerals on a clock meet its white background, for example. Enable Profile Corrections applies a lens profile for the lens with which the photo was taken and automatically corrects any geometric distortion pin- cushioning or barrel distortion and vignetting dark corners that may have occurred.

Both maneuvers can save you a lot of time. This is especially true if you tend to take the same kind of pictures with the same camera say, you always shoot portraits with your Canon 5D Mark III. To save settings as defaults: 1 Ensure all other panels on the right are at their default settings. From this point on, those settings will be applied to any photo you take with that camera the second you open it in the Develop module. Another option is to save certain settings as a preset that you apply whenever you want or on import.

For example, if you find a camera calibration profile that you like for landscapes but prefer a different one for portraits, you could set up two presets: One for landscape shots and another for portraits. And you could apply either of those presets on import.

To save a preset: 1 Adjust the settings in the panels on the right however you like. To apply the preset: 1 Select an image or several. To apply a preset on import, choose it from the Import Preset menu at the bottom of the Import window.

Click the Crop tool in the toolbar directly beneath the histogram. Alternatively, press R on your keyboard to activate the tool. P Note: You can adjust When you activate the Crop tool, a box surrounds your image; drag any edge or your crop at any time corner to adjust its size. You can straighten an image with the Crop tool, too, by using the Angle slider or by pointing your cursor outside any corner of the box and then dragging P Note: The workflow when it turns into a curved, double-sided arrow.

In the Basic panel, click the White Balance Selector it looks like a turkey baster , or press W on your keyboard. Open the Histogram panel at options. When you do, both buttons sport a white border. Detail on your keyboard. By turning on the clipping warnings before you adjust tone, Lightroom shows you clipped areas in the image preview: Clipped shadows appear bright blue, and clipped highlights are red.

When you do, Lightroom sets the next six sliders for you, which you can then adjust to your liking. Drag it to the right to increase brightness, or drag it leftward to decrease it. E Tip: To have If you point your cursor at the middle of the histogram in the Develop module, Lightroom perform an Lightroom highlights the tones affected by the Exposure slider in light gray, auto adjustment for a which are circled in this figure.

That skin details. If you adjust Highlights duce noise grainy-looking speckles , be cautious with it. To darken and recover detail in the background of the example image, drag the Highlights slider all the way left. The ening effect. E Tip: To see which tones the Shadows 11 Adjust the Whites and Blacks sliders to control how dark your blacks are and and Highlights sliders how light your whites are, to fix clipping warnings, or both.

In the example affect, point your cursor toward the left image, some clipping is occurring in the highlights on the guitar tuning pegs.

Of course, you can also use these sliders to eliminate clipping warnings and to When you do this using the Whites slider, the ensure your tones are within the realm of what can be printed.

If your whites image turns black and are overexposed for example, blown out and you turned on the clipping warn- clipped highlights ings described in step 6, those areas appear in red. To darken them, drag the appear in white or Whites slider to the left. With the Blacks slider, the E Tip: To see which tones the Whites and Blacks sliders affect, point your cursor at the far left image turns white and right sides of the histogram.

To lighten them, drag the Blacks slider rightward. By contrast, the Saturation slider saturates tones. Saturation sliders. Drag the Amount add an edge vignette slider leftward to about —30, and then drag the Midpoint slider rightward to before doing local approximately Also, once you send a photo with an edge vignette to Photoshop, that vignette is perma- nent in the Photoshop file that comes back to Lightroom.

E Tip: You can use post-crop vignett- ing to give a photo crisp, rounded edges atop a black or white background. The Roundness slider con- trols the shape of the vignette, and the Feather slider controls the softness of the vignette.

The Highlights slider keeps the vignette from darkening highlights around the edges of your image. For example, you could save the style switch to Color panel. To apply these settings yourself on the exercise file, click the Reset button at lower right or select Snapshot 0 in the Snapshots panel. And if your subject is off center and you want to move the vignette to another area, you can use the Radial Filter to create the vignette instead.

Scroll up to the Detail panel, open it, and locate the Noise Reduc- refers to graininess tion section. Click within your photo in the main preview area to zoom in to a in your images—the view. Drag atop the photo to reposition it and bring a noisy area into view. Typically, any ISO above puts you in the noise danger zone. If necessary, you can use the two sliders beneath the E Tip: You can apply Luminance and Color sliders to compensate for some of the blurring and loss of these portrait sharpen- edge detail that occurs.

In the Presets portion of your image, which is handy for keeping an eye on two areas at once. Amazon Drive Cloud storage from Amazon. Alexa Actionable Analytics for the Web.

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E Tip: To change the You can customize how your image previews are displayed too. Straight from size of the thumbnail the factory, the Library module uses Grid view, wherein resizable thumbnails are previews, use the displayed in a grid.

For a side-by-side comparison of one image with another— say, to determine which one is the most sharp—use this option. Press the Spacebar to enter Loupe mode, click within the image on the left called the select photo , and then drag to pan around and examine details your cursor turns into a hand. As you reposition one photo, the other one the candidate matches its position.

To exit Compare candidate to select by view, click its icon again or press G to return to Grid view. The candidate is marked by a black diamond. Lightroom grabs the next image in the Filmstrip panel and displays it on the right as the candidate so that you can repeat the process.

This is a great way to find the best photo of a bunch, especially if you shoot in burst mode. This option lets you compare multiple images side by side. To use it, select three or more thumbnails, and then either click the Survey icon it has three tiny rectangles inside it with three dots or press N on your keyboard.

You can also drag to rearrange photos in the preview area while sur- veying them. When you find the photo you like the best, point your cursor at it, and mark it as a pick by clicking the tiny flag icon that appears at its lower left. To exit Survey view, click its icon again or press G to return to Grid view. The next section teaches you a simple strategy for assessing and culling photos. In the resulting dialog, pick a naming scheme; Custom Name — Sequence is a good one because it gives you the opportunity to enter something descriptive into the Custom Text field say, Smith wedding In this case, enter Maui trip The only way to under- stand this admittedly confusing concept is to try it yourself using these steps: 1 In Grid view of the Library module, click anywhere on the first thumbnail preview to select it.

The result is different than it was in step 2. Clicking the frame, rather than the image, in the second preview left only the second preview selected and deselected the other two previews shown here in the bottom strip. The takeaway here is that routinely clicking the frame rather than the image in a thumbnail will allow you to avoid being surprised by the less common behavior you saw in step 2. At the bottom of the dialog, Lightroom shows you what your naming scheme looks like.

If you peek at the top left of the interface, you see a status bar. The next section teaches you about another great habit to create after importing images: assessing and culling them.

Organizing your photos Lightroom gives you many ways to mark your photos, which makes them easier to organize. For example, you can rate them with one to five stars, give them color labels, or give them two kinds of flags Pick and Reject.

Lightroom also lets you filter your photos for each marker or a combination of them , making certain photos easy to round up. Applying markers You can apply markers in several ways. To apply the marker, click a thumbnail. Press P to flag an image as a pick one that you want to keep , press X to flag it as a reject, and press U to unflag an image.

Press 1—5 on your keyboard to rate an image as 1—5 stars. Press 0 to remove the star rating. Press 6—9 on your keyboard to label an image as red, yellow, green, or blue respectively. You then likely left the mediocre ones in the envelope you got from the photo lab, and you probably forgot about them. Only the best shots made their way out of the envelope and into a physical album. The 1 In the Catalog panel at the upper left, make sure Previous Import is selected. Double-click the first image to enter Loupe view, and then click Fit in the Navigator panel.

Use the Right Arrow key on your key- board to go forward through your images the Left Arrow key goes backward. When you get to the last sunset photo the one with the blurry palm mistake while flagging photos, press U on your trees , press X on your keyboard to mark it as a reject. Press your Right Arrow key, and mark the next yellow flower shot as a pick. Keep going through the exercise files, marking your favor- ites as picks and any that you think are bad as rejects mark only three to five of the exercise files as rejects.

When you reach the end of the files, your Right Arrow key stops working. When assessing your own images, reject only the ones that are really bad: out of focus, poorly exposed, or awful composition.

Lightroom displays one of your rejects in the preview area, and a dialog appears. Clicking Delete from Disk takes them out of your catalog and off your hard drive.

The choice is up to you. For the purposes of this lesson, click Remove. When you do, Lightroom shows only those photos you flagged as picks. In the dialog that appears, enter a designate it as a target meaningful name into the Name field say, Maui keepers or whatever , turn on collection. Now you can add photos to it by pressing B on your keyboard or by pointing your cursor at a thumb- nail and clicking the tiny circle that appears at its upper right. This also makes it easy to trigger a slideshow from them, as described in Lesson 9.

In Loupe be , press U on your keyboard to unflag them all. Use the Right Arrow key to move through the the photos are selected. You may need to click the white flag twice for it to actually filter the photo.

Call it a feature or a bug—the choice is up to you! In the resulting dialog, enter the name Maui selects or something similar. Click Create. This gives you two collections: one for keepers and another for the best ones of the bunch. P Note: Collection 13 To further organize the two collections from your Maui shoot, you can put them sets are a great way both inside a folder.

Lightroom calls this a collection set, into which you can to keep your Collec- store collections as well as saved projects say, a book project, saved slideshow, tions panel organized.

When your Lightroom catalog and on your hard drive. To move a photo from one collec- you add a photo to a tion to another, drag the thumbnail into the collection you want it to appear in. Adding keywords Adding keywords is an extremely powerful way to keep track of photos by subject matter in your Lightroom catalog.

Think of them as search terms, like the ones you use to find something on the web. In the dialog that appears, enter flora in the Keyword Name field, and then enter flowers and plants in the Synonym field. Click Create, and Lightroom adds the keyword to the panel and applies it to the selected photos. To see nested keywords, click the triangle to the left of a keyword in the Keyword List panel to expand your keyword hierarchies.

Once you apply a key- word to a photo, a tiny tag icon appears on its lower-right corner. Other ways to apply and delete keywords As you may imagine, there are additional ways to apply keywords.

To remove a keyword from a photo, do the same thing but turn off the checkbox that appears to its left. If you go this route, you can create and apply keywords in the same step. If you want to create and apply more than one keyword to the selected photos, use a comma. To delete a keyword from your list, use the Keyword List panel not the Keyword- ing panel. To do it, click the keyword and then click the minus sign - at the upper left of the panel.

In the warning dialog that appears, click Delete. In the warning dialog, click Delete. In fact, the afore- mentioned menu offers several useful options for managing your keywords. For example, you can edit them, remove a keyword from the selected photo, or delete the keyword altogether. Either way, the keyword is removed from your keyword list and from any photos you applied it to.

Finding photos You learned how to search by keyword in the previous section, but there are several ways to find certain photos in Lightroom. With All Photographs selected in the catalog panel, Lightroom searches your entire catalog to meet criteria that you set. You can choose to search text, attribute markers , metadata, and more.

To see only those photos, click one of the keywords. The next column shows the camera s you use; to see only the photos taken with a certain camera body, click it in the list. Same thing with lenses. You can also control which columns appear in the Library Filter. From the resulting menu, choose Column. When you do, a column labeled None appears.

Click the word None, and then from the menu that appears, choose the information you want displayed in that column. In this image, Lightroom is filtering for all images taken with a specific camera and lens, regardless of keywords. And of course there are other ways to find photos. First, clear your current filter so E Tip: You can also you can see all your photos again.

Using smart collections E Tip: You can use Smart collections are collections that automatically populate themselves with smart collections to photos that meet certain criteria that you set. For example, if you use a star rating system to rate your best work, you can easily create a smart collection that perpetually gathers those images. Click the second menu, and choose Is. Click the fifth star so that five stars are bold.

This is handy when you 8 In the Collections panel, select the smart collection you made Best Photos , want to restrict a smart and notice that the photo you added a 5-star rating to is now included in the collection in some way by date, camera, collection.

E Tip: Open a few of the prebuilt smart collections that come with Lightroom to see how they are built and to get ideas for your own smart collections. Click Cancel to close the Edit Smart Collection dialog.

What are those shortcuts? Lightroom scours the folder and adds any new photos it finds to your catalog. Press E on the keyboard to switch to Loupe view the larger view of a photograph. The guitarist pictured here is George Kahumoku, Jr. You can find his music at Kahumoku. George Kahumoku, Jr. A toolbar and helpful in the Develop module, because hav- the Filmstrip appear at the bottom; click any photo in the Filmstrip to see it in the ing one panel open at preview area in the middle.

Solo mode by right- clicking the Histogram The toolbar near the bottom lets you see before and after views and zoom. The panel. Filmstrip at the bottom lets you select the image s you want to work on. To see a before and after version of the image while T on your keyboard. The menu at the right of the toolbar lets you control toolbar content. If you turn on the Slideshow option, a Play button appears that you can use to trigger a full- screen slideshow of the images in your Filmstrip.

Photo credit: Lesa Snider, photolesa. Due to its database nature, Lightroom keeps a run- ning list of your edits in the History panel, where you can click to undo and redo consecutive edits anytime you want. Lightroom named this feature Snapshots. They each lesson file. The Presets panel lets you save frequently used settings, which you can think of as adjustment recipes that can be applied with a single click.

The built-in presets are handy for creating black-and-whites and color tints, adding sharpening, and so on, though you can also create them yourself.

Once you click a preset, you see it applied in the preview area and it appears at the top of your History panel. The History panel keeps track of all the adjustments you make to a photo— E Tip: Point your including individual settings—as a chronological list. Click any state to go cursor at states in the History panel to see backward or forward in the editing history of your photo.

If you use the Redo command, the state reappears in the History panel. A brown tint is applied to the photo. The Grain—Heavy and Sepia Tone presets are cumulative, so you see both effects on the photo. This captures a snapshot of the current state of the photo. E Tip: If you no longer The new snapshot appears in the Snapshots panel.

Now you can easily switch need a snapshot, select between the grainy sepia and the black-and-white versions by clicking them in it in the Snapshots the Snapshots panel, even after you close and reopen Lightroom. To retain all the editing history thus far, click the a running list of every- topmost history state before continuing to adjust the photo. This returns close and relaunch the the photo to its original, unedited state. P Note: Lightroom sports another feature you can use to process a photo in multiple ways: virtual copies.

The following steps walk you through adjusting a raw file, though you can use these steps on JPEGs or TIFFs too: 1 With the first lesson file selected, return the photo to its original, color-cast- P Note: You can use riddled state by clicking Reset at lower right or by clicking 0 in the Snapshots this workflow on each of the exercise files in panel. Click the menu to the right of the word Profile, and take a spin through the profile presets to see which one looks the best Camera Neutral was used here.

Behind the scenes, it renders the raw data into pixels you can view and work with onscreen a process known as demosaicing. These camera-specific profiles produce a subtle shift in color and contrast—Camera Landscape has a satura- tion boost, while Camera Portrait is cautious with skin tones. These profiles are worth marching through on a few of your own photos to see which one works best for your particular camera and the type of photos you take. Chromatic Aberration is a lens-related anomaly that can cause unwanted color to appear along super high-contrast edges where the black numerals on a clock meet its white background, for example.

Enable Profile Corrections applies a lens profile for the lens with which the photo was taken and automatically corrects any geometric distortion pin- cushioning or barrel distortion and vignetting dark corners that may have occurred. Both maneuvers can save you a lot of time. This is especially true if you tend to take the same kind of pictures with the same camera say, you always shoot portraits with your Canon 5D Mark III.

To save settings as defaults: 1 Ensure all other panels on the right are at their default settings. From this point on, those settings will be applied to any photo you take with that camera the second you open it in the Develop module. Another option is to save certain settings as a preset that you apply whenever you want or on import. For example, if you find a camera calibration profile that you like for landscapes but prefer a different one for portraits, you could set up two presets: One for landscape shots and another for portraits.

And you could apply either of those presets on import. To save a preset: 1 Adjust the settings in the panels on the right however you like. To apply the preset: 1 Select an image or several. To apply a preset on import, choose it from the Import Preset menu at the bottom of the Import window. Click the Crop tool in the toolbar directly beneath the histogram.

Alternatively, press R on your keyboard to activate the tool. P Note: You can adjust When you activate the Crop tool, a box surrounds your image; drag any edge or your crop at any time corner to adjust its size.

You can straighten an image with the Crop tool, too, by using the Angle slider or by pointing your cursor outside any corner of the box and then dragging P Note: The workflow when it turns into a curved, double-sided arrow.

In the example affect, point your cursor toward the left image, some clipping is occurring in the highlights on the guitar tuning pegs. Of course, you can also use these sliders to eliminate clipping warnings and to When you do this using the Whites slider, the ensure your tones are within the realm of what can be printed. If your whites image turns black and are overexposed for example, blown out and you turned on the clipping warn- clipped highlights ings described in step 6, those areas appear in red.

To darken them, drag the appear in white or Whites slider to the left. With the Blacks slider, the E Tip: To see which tones the Whites and Blacks sliders affect, point your cursor at the far left image turns white and right sides of the histogram. To lighten them, drag the Blacks slider rightward. By contrast, the Saturation slider saturates tones.

Saturation sliders. Drag the Amount add an edge vignette slider leftward to about —30, and then drag the Midpoint slider rightward to before doing local approximately Also, once you send a photo with an edge vignette to Photoshop, that vignette is perma- nent in the Photoshop file that comes back to Lightroom. E Tip: You can use post-crop vignett- ing to give a photo crisp, rounded edges atop a black or white background.

The Roundness slider con- trols the shape of the vignette, and the Feather slider controls the softness of the vignette. The Highlights slider keeps the vignette from darkening highlights around the edges of your image.

For example, you could save the style switch to Color panel. To apply these settings yourself on the exercise file, click the Reset button at lower right or select Snapshot 0 in the Snapshots panel. And if your subject is off center and you want to move the vignette to another area, you can use the Radial Filter to create the vignette instead. Scroll up to the Detail panel, open it, and locate the Noise Reduc- refers to graininess tion section. Click within your photo in the main preview area to zoom in to a in your images—the view.

Drag atop the photo to reposition it and bring a noisy area into view. Typically, any ISO above puts you in the noise danger zone. If necessary, you can use the two sliders beneath the E Tip: You can apply Luminance and Color sliders to compensate for some of the blurring and loss of these portrait sharpen- edge detail that occurs. In the Presets portion of your image, which is handy for keeping an eye on two areas at once.

For important area into view, such as the face of a portrait. Locate the Sharpening landscape shots, use the section of the Detail panel. For a portrait, drag the Amount slider rightward to Sharpen — Scenic preset roughly 35, and set Radius to 1. These settings are great starting points Much like sharpening a knife in your kitchen accentuates its edge, sharpening that you can then an image in Lightroom accentuates the edges it contains that is, places where fine-tune. This adjustment works by lightening light pixels and darkening dark pixels wherever they appear next to each other.

Use a higher value for portraits say, 1. The Detail slider lets you control which of the more detailed edges Lightroom sharpens. The Masking slider lets you restrict sharpening to only the higher-contrast edges. As you drag the slider rightward, Lightroom sharpens fewer areas. The only real way to produce sharp images is to stabilize your camera using a tripod and then trigger the shutter using a remote control.

You may also be able to produce fairly sharp images by shooting in burst mode wherein your camera keeps firing off shots for as long as you depress the shutter button. And if you do end up with a slightly blurry photo, you can send it to Photoshop and fix it using the Shake Reduction filter. As you can see, the adjusted image looks far better than the original.

Plus, you can save time by saving frequently used settings as defaults or presets. If you have two or more photos to apply the same changes to, use these steps to sync changes manually: 1 Select the portrait you adjusted in the previous section, and in the Filmstrip, Shift-click the third thumbnail. Lightroom automatically selects the second thumbnail too.

Input sharpening vs. If the button happens to read Auto Sync instead, click the panel switch visible in this figure to the left of the button to change it to Sync. The instructions in this book, particularly those that concern the Basic panel, are for the current Lightroom process version, PV , which was introduced in If you used Lightroom to adjust photos prior to , PV was used instead.

If you open one of those photos in the Develop module, some of the Basic panel slid- ers look and behave differently. For example, the sliders have different names, their starting points are different, and the Clarity slider in particular uses a completely different algorithm in PV than it did in PV If you like the way a photo looks with its older processing, you can leave it alone. You can change the process version in a couple of ways.

You can open the photo in the Develop module and then click the lightning icon at the bottom right of the Histogram panel. In the resulting dialog, click Update. Alterna- tively, you can change the process version using the Process menu at the top of the Camera Calibration panel.

Either way, Lightroom replaces the older Basic panel controls with the PV sliders, which you can then use to readjust the photo. Notice how the two selected thumbnails in the Filmstrip change shown here at bottom.

E Tip: You can sync If the result needs fine-tuning on any of the affected photos, including the crop, local adjustments too. Select the photo you adjusted, and then click Copy at lower left. Immediately after adjusting an image, click to select a photo in the Filmstrip, and then click the Previous button at lower right. If you select multiple photos in the Filmstrip and then click the gray switch on the Sync button, it changes to Auto Sync.

Click it, and Lightroom applies all the changes you make to the most selected photo, from this point forward—until you remember to turn off Auto Sync—to all the other selected photos. You can sync changes in the Library module too.

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